PLAYS
A Hundred Circling Camps
During the summer of 1932, over 20,000 people hopped trains to Washington D.C. and camped out to demand fair pay for veterans of the World War. The legacy of the Bonus Army is written into our laws and culture, but the march has been largely forgotten. As America protests and forgets and protests and forgets, what is carried forward? Touching on the Poor People’s Campaign, Occupy Wall Street and other protest camps, A Hundred Circling Camps explores what it means to live in public as an act of resistance.
July-Aug 2024 Production, Dogteam Theatre Project, Atlantic Stage 2, New York, NY
June 2023 Workshop, Dogteam Theatre Project, Middlebury College, VT
July 16th, 2018 Reading, Goodman Theatre, Chicago, IL.
Developed through a commission from the Goodman Playwrights Unit.
The Light That’s Left
Lena is hiking to a glacier that she visited with her mother many years ago, when she meets someone in the woods. A new play about grief, hope, and climate change.
Developed with the 2023-2024 BETC (Boulder Ensemble Theatre Company) Writer’s Group.
Presented in a staged reading at the Dairy Arts Center, May 13, 2024.
Up in their attic, sisters Josephine and Henrietta create a new sister for their family; she's gleeful and monstrous and embodies everything they've dreamed of: the rage of children, the fury of girls. Plus there's that wild hunger, an explosion of beauty products, a weird doll named Benjamin Franklin.
Full play available to read on New Play Exchange
2022 Reading, Echo Theatre Dallas
2020 Reading, Flexible Grey Theatre Company
2020 Workshop, [performance @ new college], New College of Florida, Director Summer Dawn Wallace.
2019 Winner, Modern Works Festival, Urbanite Theatre. Sarasota, Florida. Dir. India Marie Paul.
Oct 5 & 6, 2018 Production, Ground & Field Festival. UC Davis, California
2018 Reading, Last Frontier Theatre Conference. Valdez, Alaska
2017 Finalist, Eugene O'Neill National Playwrights Conference
2016 staged reading, PTP/NYC After Darks, Atlantic Stage 2, NYC. Dir: Ariel Francoeur
2015 public reading, University of Iowa Playwrights Workshop
Lailah guides souls through her house to the world of the dead. Lou and Wiley meet up again after ten years. The coywolves run in the night. Silo Tree is a pause on the bridge, a collection of lives in liminal space, and a memory that rolls forward as its surface is blown backward by the wind.
2020 production, Siena Heights University, Adrian, Michigan. Dir. Dan Walker.
2019 reading, Michigan Playwrights Festival, Theatre Nova, Ann Arbor, Michigan. Dir: Michelle Resnick.
2015 production, Iowa New Play Festival, University of Iowa. Dir: Nina Morrison.
2014 public reading, Iowa Playwrights Workshop.
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Ruby, Jade, and Cove fall in and out of love with each other as their world crumbles. Ruby and Cove share an inexplicable ability to change into birds. As society disintegrates in the face of climate catastrophe, these three queer women find new ways to build their lives. Plus there’s a huge flock of birds. Also a midnight conversation with an owl. Part myth, part apocalyptic fairy tale, part love story, thing with feathers is about survival, transformation, and hope.
2019 Reading, Women’s Theatre Festival. Raleigh, North Carolina. Directed by Julie Granata-Hunicutt.
2015 Semifinalist, O'Neill National Playwrights Conference
2014 Gallery Production, University of Iowa. Dir: Nina Morrison.
2014 public reading, Iowa playwrights workshop.
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Four DC teenagers trespass onto the abandoned grounds of St. Elizabeth's Hospital. When Zadie tries to contact the ghost of her great-aunt, she accidentally summons a chorus of muses aching to be set free. Zadie, Max, Daniela, and Amina find themselves grappling with the complicated and unique history of their shared city.
2015 Production, Berlin Brandenburg International School, Germany.
2014 Workshop Production, University of Iowa. Dir: Nina Morrison.
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